To All the Boys 3 review: A ho-hum conclusion to a humdinger of a trilogy

To All the Boys 3 review: A ho-hum conclusion to a humdinger of a trilogy

Is there a more resounding reminder that you, with your Cult.fit membership, are old, than the lead character of the movie you’re watching going, ‘huh?’ upon hearing the word ‘Oasis’?

That’s what happens in To All the Boys: Always and Forever, when Lara Jean Covey’s boyfriend, Peter Kavinsky, suggests that she check out (What’s the Story) Morning Glory? That’s an album, by the way, to all the children out there who decided to read a movie review and not simply watch someone post their reaction on Reels. It’s by Oasis, who were a band. A band, to all you Doja Cat fans, is a group that gets together to make music.

One of the biggest dramatic arcs in the film, the third and final instalment in Netflix’s hit romantic comedy series, involves Lara Jean (Lana Condor) and Peter (Noah Centineo), discovering a song that defines them, as a couple. This happens because Lara Jean, torn as she always has been between being a hopeless romantic and a stern pragmatist, declares one day that they are a terrible rom-com pair.

They can’t remember when they met each other, they never had a ‘meet-cute’, and much to Lara Jean’s dissatisfaction, they don’t have ‘a song’.

Three years have passed since To All the Boys I’ve Loved Before, almost single-handedly, revived a dying genre. In those three years, Centineo has grown swole, Condor has visited Mumbai, and Lara Jean and Peter, as a couple, have survived a subpar sequel. Always and Forever, heartbreakingly, is the weakest of the trilogy.

And that’s largely because, unlike the first and second chapters, the dramatic stakes in this film feel oddly non-existent. The prime source of conflict is, of course, Lara Jean not getting accepted into the same school as Peter. The couple had already started daydreaming about their lives together, as students at the same university, then perhaps as lovers in the same house, and then, eventually, as spouses with kids. But dreams, as kids in high school movies often learn, tend to break. Ironically for a film titled Always and Forever, it’s willing to engage with the idea that young love is fleeting.

News source : Hindustan Times

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